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The Boys gears up for a supe-ocalypse in S5 teaser

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Prime Video dropped an extended teaser for the fifth and final season of The Boys—based on the comic book series of the same name by Garth Ennis and Darick Robertson—during CCXP in Sao Paulo, Brazil. And it looks like we’re getting nothing less than a full-on Supe-ocalypse as an all-powerful Homelander seeks revenge on The Boys.

(Spoilers for prior seasons of The Boys and S2 of Gen V below.)

Things were not looking good for our antiheroes after the S4 finale. They managed to thwart the assassination of newly elected US President Robert Singer, but new Vought CEO/evil supe Sister Sage (Susan Heyward) essentially overthrew the election and installed Senator Steve Calhoun (David Andrews) as president. Calhoun declared martial law, and naturally, Homelander (Antony “Give Him an Emmy Already” Starr) swore loyalty as his chief enforcer. Butcher (Karl Urban) and Annie (Erin Moriarty) escaped, but the rest of The Boys were rounded up and placed in re-education—er, “Freedom”—camps.

The second season of spinoff series Gen V was set after those events, and the finale concluded with Annie recruiting the main cast members to join the fight against Homelander and the Supes. Season 5 of The Boys picks up where the Gen V finale left off. Per the official premise:

In the fifth and final season, it’s Homelander’s world, completely subject to his erratic, egomaniacal whims. Hughie, Mother’s Milk, and Frenchie are imprisoned in a “Freedom Camp.” Annie struggles to mount a resistance against the overwhelming Supe force. Kimiko is nowhere to be found. But when Butcher reappears, ready and willing to use a virus that will wipe all Supes off the map, he sets in motion a chain of events that will forever change the world and everyone in it. It’s the climax, people. Big stuff’s gonna happen.

Most of the main cast is returning for the final season (although RIP Claudia Doumit’s Victoria Neuman), and we’ll also see the return of Soldier Boy (Jensen Ackles), aka Homelander’s daddy, revealed in the S4 finale mid-credits scene to be alive and chilling out in cryostorage. Showrunner Eric Kripke has said that he wanted to delve a little deeper into that father/son relationship, particularly since Soldier Boy has switched sides and aligned with the supes after Butcher tried to kill him in S3.

Kripke has also been pretty open about the fact that all bets are off when it comes to character deaths, since this is the final season. And we can probably expect some of the same disturbing real-world parallels that made S4 so polarizing among fans (although, as Kripke has said, the show has never been subtle about Homelander being evil).

In addition, Jared Padalecki—who co-starred with Ackles in the Kripke series Supernatural—will join the cast in an as-yet-undisclosed role, so it will be a reunion of sorts. This season will also feature several characters from Gen V: Jordan (London Thor), Marie (Jaz Sinclair), Emma/Little Cricket (Lizze Broadway), Cate (Maddie Phillips), Sam (Asa Germann), and Annabeth (Keeya King).

The first two episodes of The Boys’ fifth and final season premiere on April 8, 2026, on Prime Video, with new episodes airing each week through May 20, 2026. But it won’t be the end of the franchise. We don’t know yet if Gen V is getting a third season—it likely depends on who survives the showdown with Homelander and the Supes—but there is a prequel series, Vought Rising, in the works—starring Ackles and Aya Cash reprising their Soldier Boy and Liberty/Stormfront roles, respectively—as well as The Boys: Mexico.

Credit: Prime Video

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Paramount tries to swipe Warner Bros. from Netflix with a hostile takeover

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Netflix won the bidding war for Warner Bros. Discovery’s (WBD’s) streaming and movie studio businesses last week. But Paramount Skydance isn’t relenting on its dreams of owning WBD and is pushing forward with a hostile takeover bid.

On Friday, Netflix announced that it had agreed to pay an equity value of $72 billion, or an approximate total enterprise value of $82.7 billion, for WBD’s streaming and film businesses, as well as its film and TV libraries. The deal includes HBO and the HBO Max streaming service but not WBD’s cable channels, which are to be split off ahead of the acquisition into a separate company called Discovery Global. Netflix said WBD’s split should conclude in Q3 2026.

Paramount has different plans, though.

After previously questioning the “fairness and adequacy” of WBD’s bidding process, Paramount announced today that it’s still trying to buy all of WBD, including what is set to become Discovery Global. Its announcement said:

Despite Paramount submitting six proposals over the course of 12 weeks, WBD never engaged meaningfully with these proposals which we believe deliver the best outcome for WBD shareholders. Paramount has now taken its offer directly to WBD shareholders and its Board of Directors to ensure they have the opportunity to pursue this clearly superior alternative.

Paramount said it wants to pay $108.4 billion for WBD, or $30 per share, “which represents a 139 percent premium to the undisturbed WBD stock price of $12.54 as of September 10, 2025.”

It has been reported that WBD rejected Paramount’s bid because WBD thinks it could see more long-term value from separating into two companies than from allowing Paramount to buy all of WBD.

David Ellison, Paramount’s CEO and chairman, in a statement argued that the Netflix deal could hurt WBD’s current shareholders partially due to the “uncertain future trading value of the Global Networks linear cable business. …”

In response, Netflix co-CEO Ted Sarandos said today that Paramount’s takeover bid “was entirely expected.”

“We have a deal done, and we are really happy with the deal for shareholders [and] for consumers. It’s a great way to create protect jobs in the entertainment industry,” he added while speaking at a UBS conference, per The Hollywood Reporter.

Paramount thinks it could get a merger approved

One of the biggest questions for any WBD deal is whether antitrust regulations will allow it to go through.

Paramount’s declaration of an attempted hostile takeover today heavily emphasized the regulatory hurdles that Netflix’s acquisition could face in the US and abroad:

In many European Union countries the Netflix transaction would combine the dominant SVOD [subscription video on demand] player with the number two or strong number three competitor. The Netflix transaction creates a clear risk of higher prices for consumers, lower pay for content creators and talent and the destruction of American and international theatrical exhibitors. Netflix has never undertaken large-scale acquisitions, resulting in increased execution risk which WBD shareholders would have to endure.

In the US, HBO Max could be considered the fourth-biggest video streaming service if you rank the companies based on subscriber count. Netflix had 301.63 million subscribers as of January. WBD has 128 million streaming subscribers in total, with most of them being HBO Max users. Paramount+ had 79.1 million subscribers as of November.

However, Paramount’s announcement notably overlooks the regulatory hurdles expected to come from trying to combine two of the biggest Hollywood film studios as well as two large news corporations, CNN and CBS News.

Paramount has already successfully navigated the current regulatory landscape under US President Donald Trump and merged with rival studio Skydance in August. Some lawmakers have questioned whether Paramount paid Trump a $16 million settlement over a CBS News report in order to help get the merger approved. Larry Ellison, David Ellison’s father and co-founder and CTO of Oracle, is also friends with Trump.

In today’s announcement, Paramount seemed assured that it could get a merger with WBD approved, saying, “Paramount is highly confident in achieving expeditious regulatory clearance for its proposed offer.”

Although the US Department of Justice (DOJ) holds the power to block mergers that it deems to go against antitrust laws, Trump’s influence over the DOJ can’t be overlooked. While Paramount previously seemed to establish a good relationship with the president, Netflix co-CEO Ted Sarandos may have done the same recently.

Sarandos “spoke with the president in the last couple of weeks in a confab that lasted about two hours,” The Hollywood Reporter reported on Sunday, citing “multiple” anonymous sources. A White House official told the publication that they can’t comment on “private meetings that may or may not have occurred,” and Netflix didn’t respond to the publication’s requests for comment.

Meanwhile, Trump’s relationship with the Ellisons and Paramount may have taken a turn recently. Today, the president lashed out at Paramount over an interview with Rep. Marjorie Taylor Greene (R-Ga.) that aired on the news program 60 Minutes. As he said on Truth Social, per The Hollywood Reporter: “My real problem with the show, however, wasn’t the low IQ traitor, it was that the new ownership of 60 Minutes, Paramount, would allow a show like this to air. THEY ARE NO BETTER THAN THE OLD OWNERSHIP, who just paid me millions of Dollars for FAKE REPORTING about your favorite President, ME! Since they bought it, 60 Minutes has actually gotten WORSE.”

Appealing to the movie theater industry

The movie theater industry is one of the biggest critics of Netflix’s WB acquisition due to fear that the streaming leader won’t release as many movies to theaters for as long and may drive down licensing fees. Paramount is leaning into this trepidation.

As one of the oldest film studios (Paramount was founded as Famous Players Film Company in 1912), Paramount has much deeper ties to the theater business. Ellison claimed that if Paramount and WBD merge, there will be “a greater number of movies in theaters.”

Sarandos said last week that Netflix plans to maintain WBD’s current theater release schedule, which reportedly goes through 2029.

In terms of streaming, Paramount’s announcement pointed to a “combination of Paramount+ and HBO Max,” lending credence to a November report that Paramount would fold HBO Max into its own flagship streaming service if it buys WBD.

With numerous industries, big names, billions of dollars, and politics all at play, the saga of the WBD split and/or merger is only just beginning.

This article was updated on December 8 at 2:31 p.m. ET with comment from Sarandos. 

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'Nothing else looks like them': Saving Japan's exceptionally rare 'snow monsters'

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Across Japan's alpine zones, temperatures have been rising faster than the global average since the 1980s. "In scenarios where climate change continues to advance significantly by the end of this century, it is possible that in warmer-than-usual winters, juhyo may no longer form at all," Ito says.

The threat has prompted action across Yamagata. In March 2023, the prefecture launched the Juhyo Revival Conference – a permanent council bringing together researchers, officials, local businesses and residents to coordinate long-term efforts to restore the fir forests and preserve Mount Zao's snow monsters.

Juhyo are not only a natural spectacle but also a pillar of the local economy. "The influx of tourists supports hotels, restaurants and souvenir shops throughout the area," says Genji Akiba, deputy director of the Zao Onsen Tourism Association. "If the juhyo disappear, it would be a huge blow."

"Revival is a strong wish of our citizens," says Yoko Honma, a conservation specialist at Yamagata Prefecture's nature division. Since 2019, the local forest office has transplanted more than 190 naturally regenerated saplings from lower slopes to the summit zone near the ropeway station. "Because it takes 50 to 70 years for these firs to mature, the key is sustaining conservation across generations," says Honma. "We need patience and continuity."

Yanagisawa Fumitaka/ Tohoku Regional Forest Office An area of Mount Zao's Jizōdake summit in 2010 (top left), 2013 (top right), 2020 (lower left) and 2025 (lower right) (Credit: Yanagisawa Fumitaka/ Tohoku Regional Forest Office)Yanagisawa Fumitaka/ Tohoku Regional Forest Office
An area of Mount Zao's Jizōdake summit in 2010 (top left), 2013 (top right), 2020 (lower left) and 2025 (lower right) (Credit: Yanagisawa Fumitaka/ Tohoku Regional Forest Office)
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Knight of the Seven Kingdoms trailer brings levity to Westeros

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With House of the Dragon now entering its third season, HBO is ready to debut a new spinoff series set in Game of Thrones’ Westeros: A Knight of the Seven Kingdoms, based on George R.R. Martin’s Tales of Dunk and Egg novellas. HBO clearly has a lot of confidence in this series; it’s already been renewed for a second season. And judging by the final trailer, that optimism is warranted.

As we’ve previously reported, A Knight of the Seven Kingdoms adapts the first novella in the series, The Hedge Knight, and is set 50 years after the events of House of the Dragon. Per the official premise:

A century before the events of Game of Thrones, two unlikely heroes wandered Westeros: a young, naïve but courageous knight, Ser Duncan the Tall, and his diminutive squire, Egg. Set in an age when the Targaryen line still holds the Iron Throne and the last dragon has not yet passed from living memory, great destinies, powerful foes, and dangerous exploits all await these improbable and incomparable friends.

Peter Claffey co-stars as Ser Duncan the Tall, aka a hedge knight named “Dunk,” along with Dexter Sol Ansell as Prince Aegon Targaryen, aka “Egg,” a child prince and Dunk’s squire. The main cast also includes Finn Bennett as Egg’s older brother, Prince Aerion “Brightflame” Targaryen; Bertie Carvel as Egg’s uncle, Prince Baelor “Breakspear” Targaryen, heir to the Iron Throne; Tanzyn Crawford as a Dornish puppeteer named Tanselle; Daniel Ings as Ser Lyonel “Laughing Storm” Baratheon, heir to House Baratheon; and Sam Spruell as Prince Maekar Targaryen, Egg’s father.

There’s also an extensive supporting cast. Ross Anderson plays Ser Humfrey Hardyng; Edward Ashley plays Ser Steffon Fossoway; Henry Ashton as Egg’s older brother, Prince Daeron “The Drunken” Targaryen; Youssef Kerkour as a blacksmith named Steely Pate; Daniel Monks as Ser Manfred Dondarrion; Shaun Thomas as Raymun Fossoway; Tom Vaughan-Lawlor as Plummer, a steward; Steve Wall as Lord Leo “Longthorn” Tyrell, Lord of Highgarden; and Danny Webb as Dunk’s mentor, Ser Arlan of Pennytree.

The final trailer opens ominously with knights lined up for battle, and we see the perspective of one nervous knight in particular through the chink in his helmet. Cut to Baelon Targaryen asking Ser Duncan the Tall—newly knighted by his recently deceased mentor—just how good a knight he really is. “You’ll see,” Duncan replies—and promptly gets confused about exiting.

That little scene nicely encapsulates the overall tone of the series: it’s still Westeros and there are still high stakes, but there is also plenty of levity. It’s also a different focus from prior GoT shows in that it focuses on a lowly hedge knight trying to make a name for himself rather than ruthless highborns vying for the Iron Throne. Duncan isn’t quite ready for prime time; a hedge knight, it seems, is “like a knight, only sadder.” Fortunately Egg befriends him and becomes his squire: “Every knight needs a squire, and you look like you need one more than most.”

Duncan’s short-term goal is to win a major tournament in hopes that a great house—like House Targaryen—”might take me into its service.” But Duncan soon runs afoul of Prince Aerion Targaryen, who is out for Duncan’s head. Duncan is advised to run, since he’s likely to be killed either way. Instead, he stands his ground. “Has honor deserted the noble houses of Westeros?” we see him ask the assembled onlookers at the tournament. “Are there no true knights among you?” He’s met with silence.

A Knight of the Seven Kingdoms debuts on HBO on January 18, 2026, with the first of six episodes.

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After Nearly 30 Years, Crucial Will Stop Selling RAM To Consumers

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Micron is shutting down its Crucial consumer RAM business in 2026 after nearly three decades, citing heavy demand from AI data centers. "The AI-driven growth in the data center has led to a surge in demand for memory and storage," Sumit Sadana, EVP and chief business officer at Micron Technology, said in a statement. "Micron has made the difficult decision to exit the Crucial consumer business in order to improve supply and support for our larger, strategic customers in faster-growing segments." Ars Technica reports: Micron said it will continue shipping Crucial consumer products through the end of its fiscal second quarter in February 2026 and will honor warranties on existing products. The company will continue selling Micron-branded enterprise products to commercial customers and plans to redeploy affected employees to other positions within the company. Crucial launched in 1996 during the Pentium era as Micron's consumer brand for RAM and storage upgrades. Over the years, the brand expanded to encompass other memory-related products such as SSDs, flash memory cards, and portable storage drives. Micron Technology has been manufacturing RAM since 1981.

Read more of this story at Slashdot.

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4 days ago
I guess I'll have to keep buying sticks of Bloodrage VenomShock or whatever
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Whichever has the dopest cooling fins
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How an invasion of purple flowers made Iceland an Instagram paradise – and caused a biodiversity crisis | Wild flowers | The Guardian

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It was only when huge areas of Iceland started turning purple that authorities realised they had made a mistake. By then, it was too late. The Nootka lupin, native to Alaska, had coated the sides of fjords, sent tendrils across mountain tops and covered lava fields, grasslands and protected areas.

Since it arrived in the 1940s, it has become an accidental national symbol. Hordes of tourists and local people pose for photos in the ever-expanding fields in June and July, entranced by the delicate cones of flowers that cover the north Atlantic island.

Advocates say the flower has helped to regenerate plant cover over time. Photograph: Arterra Picture Library/Alamy

“The tourists love it. They change the dates of when they come to time it for the lupins. The flowers have become a part of Iceland’s image, especially in the summer,” says Leszek Nowakowski, a photographer based near Reykjavik.

“When people go to a waterfall or a glacier, they want to be stood around the flowers in photos. It makes it look epic … I had one guy who wanted me to photograph him proposing in the lupin fields with the waterfall in the background,” he says.

But despite the scramble for photos each summer, Icelanders have become divided about the flowers – and scientists are increasingly concerned that they pose a threat.

The lupins were first introduced in an attempt to hold the country’s dark volcanic soils together. A huge amount of soil was being driven into the Atlantic by ferocious winds and rain each year – a problem that endures today, with two-fifths of land now classified as significantly degraded.

The purple-blue blooms were the brainchild of Hákon Bjarnason, Iceland’s chief forester at the end of the second world war, who had seen them on a trip to Alaska. He believed the plant could stop the earth eroding by repairing the soil and fixing nitrogen into the ground. One day, many hoped, the soil quality would reach a point that could allow the island’s forests to return.

The lupins flower in June and July. Photograph: Wolfgang Kaehler/LightRocket/Getty Images

Now, there is broad agreement among most Icelandic scientists that the experiment has gone too far. The lupin occupies just 0.3% of Iceland, according to the most recent satellite assessment in 2017, but it is classified as an invasive species and continues to spread around the island at a rapid pace without human help, often squeezing out native plants and grasses. Scientists expect lupin coverage to have tripled by the next assessment in 2027, turbocharged by a warming climate. In the coming years, one study estimates that the species could grow to cover nearly a sixth of Iceland.

It’s like fixing a toothache with a rock. It’ll work, but you’ll most likely damage a whole lot of other things.
Guðrún Óskarsdóttir, plant ecologist

“The history of the lupin in Iceland is one of good intentions and unexpected consequences,” says Pawel Wasowicz, director of botany at the Natural Science Institute. “Back in 1945, nobody knew about invasive species. The term didn’t exist. Nobody had an idea of climate change. You could get free packets of seeds at petrol stations to spread it. That’s how the invasion started. They thought it would be a medicine that solved their problems, but it has spread far more than expected,” he says. There are no serious efforts from Icelandic authorities to control its spread nationally.

Many Icelanders have fallen in love with the plant and the ever-expanding burst of summer colour, however. Fields of lupins have become a go-to backdrop for local newlyweds posing in the midnight summer sun. Some have even clubbed together in Facebook groups in defiance of government efforts to control the invasive species, celebrating its beauty and pledging to continue its spread.

“Because it’s so beautiful, it is often used in adverts for the country by tourism companies,” says Guðrún Óskarsdóttir, a plant ecologist working in eastern Iceland on the impacts of the plant.

Soil in lupin-covered patches of land is looser than in areas where native species grow.

Those who love the lupin argue that it has successfully helped regenerate plant cover over time, just as Bjarnason intended when he brought it back from Alaska. Up to 40% of Iceland was covered in forest when the Vikings arrived in the ninth century, but more than a millennium of deforestation and sheep farming has resulted in significant desertification. Advocates say the lupin is helping. But Óskarsdóttir says it is not so simple.

“Revegetating land with lupins is like fixing a toothache with a rock. It’ll work, but you’ll most likely damage a whole lot of other things that weren’t damaged to begin with,” she says, explaining that the spread of lupins in some mountainous areas at the expense of native plants has been linked to landslides in some cases due to the effect on soil strength.

In areas where the lupin was first sown in southern Iceland, the moss layer beneath the flowers developed to the point that the flowers lost the ability to reproduce, giving way to native plants again. But scientists say this process will only play out in some parts of Iceland, meaning the lupins will continue to spread and dominate. For now, scientists say it is too late to eradicate the flowers. Instead, the best option may just be holding them back from some of the most biodiverse and precious areas.

“It won’t crash. The number of lupins will just peak and plateau,” says Wasowicz. “The question is not whether it is good or bad, probably. When you look at the lupins in June, it’s really beautiful. But how much change are you willing to accept? And what will follow? That is the problem.”

Eldfell lava field covered in lupins on the island of Heimaey in Iceland. Photograph: VW Pics/Universal Images Group/Getty Images

Find more age of extinction coverage here, and follow the biodiversity reporters Phoebe Weston and Patrick Greenfield in the Guardian app for more nature coverage

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